Frank Bellamy and Monty Carstairs

I suspect a lot of people have never seen much of the "Monty Carstairs" strip in the Mickey Mouse Weekly  and I love the 'controlled' nature of Bellamy's early work. As listed on the website Bellamy drew "Monty Carstairs" from 25 July 1953 till 26 June 1954. he drew four stories, outlined below. From the first episode he had the full page but from 12 December 1953 to the end of his run Bellamy loses a sixth of the page to a comic strip cartoon. All his art is linework in black and white ink. The other strips in the comic in black and white are interesting to compare to as even here, Bellamy's earliest regular comic strip job, he tries to break the panel boundaries in his artwork.

Before we get to Bellamy's work I thought you might like to see some of the rest of the comic to give you a bit of context.

Mickey Mouse Weekly 13 Feb 1954 - Cover

The cover of this randomly selected issue (of the few I own) is taken up with the popular and iconic "Mickey Mouse" which makes sense.

Mickey Mouse Weekly 13 Feb 1954 pp2-3

We then have "Donald Duck"; "The Misadventures of Goofy" and on the opposite page "Billy Brave and his friends" (the latter drawn by Tony Weare)

Mickey Mouse Weekly 13 Feb 1954 p4

Frank Bellamy's artwork for "Monty Carstairs in the 'Mystery of the Black Pearls'" takes up most of the page with Smith's "Prinny" in the bottom sixth of the page. In this example Bellamy sticks to the common layout within Mickey Mouse Weekly (MMW) but still manages to differentiate nicely the day from night and leaves us with a visual cliff-hanger

Mickey Mouse Weekly 13 Feb 1954 p5

One of Malcolm Saville's Lone Pine novels is serialised here "Seven White Gates" with illustration by F. Stocks May and the feature "Mickey Mouse Jungle Club" appears below

Mickey Mouse Weekly 13 Feb 1954 pp6-7

The double page spread on pages 6-7 has "Walrus and the Carpenter" (from the 1951 film "Alice in Wonderland"), "Walt Disney's True Life Adventures: Olympic Elk", "Jaq and Gus" (from Cinderella), "Mad Hatter and the March Hare" and finally "Snow White and the Seven Dwarfs". You can read my previous article on the True Life Adventures here

Mickey Mouse Weekly 13 Feb 1954 p8

Page 8 gives us "Marney's Circus in 'South Seas Island Adventure'" and "Popsy" by Davis.

Mickey Mouse Weekly 13 Feb 1954 p9

"Whitey and the Killer Whales" featuring 'Willie the operatic whale' from the 1946 cartoonThe Whale Who Wanted To Sing At the Met, is next famous from the film Make Mine Music.

Page 10 featured "Robin Alone" (which I have seen credited to Tony Weare, Bill Lacey and 'Unknown' - I'll vote for the latter for this particular episode and Lacey for many others I've seen!) and Donald Duck's nephews "Huey, Dewey, and Louie"appear at the bottom of the page

Mickey Mouse Weekly 13 Feb 1954 p10

Page 11 stars "Peter Pan in 'The Secret of Joshua Slogg'" and "Jimmy and the little old engine" drawn by the well-known (in UK comics) Neville Main and I see that he is credited when some of these strips were published in 1954 by Brockhampton Press.

Mickey Mouse Weekly 13 Feb 1954 p11

Page 12, the back cover, has a strip adaptation of Disney's film "Rob Roy" which premièred  26 October 1953 in the UK.

Mickey Mouse Weekly 13 Feb 1954 p12

Now let's get to Bellamy's art in "Monty Carstairs". The artwork is lovely and clear (if not in my photos, forgive me!) and it doesn't take long for Bellamy to experiment - strictly in the constraints of 5 or 6 row strip

MONTY CARSTAIRS

As far as I can see Monty Carstairs started some time just before April 1951 and was drawn by Cecil Orr, I think. (Issues I've seen in 1949 and up to December 1950 do not have Monty Carstairs). The excellent Inducks database says 25 August 1951 (unless I have misinterpreted and they mean the start of that particular story "The Green Dolphin"?). eBay searches show it's likely this might be the case as I have found"Red for Danger!", a Monty Carstairs Special agent cartoon serial story"mentioned for the issue dated 7 (and 24) April 1951. According the same eBay seller 7 July 1951 has the story "The Prisoner of the Chateau". Details are so sketchy for this series, if you can help I don't mind changing this.

The monocled Carstairs appears to be a common fictional device in the mould of Lord Peter Wimsey, who also wore a monocle and was the detective character created in 1923 by Dorothy L. Sayers.

1) The Secret of the Sands story has "the famous detective", "the prince of private investigators", "the gentleman adventurer" Monty Carstairs visiting Sandypoint Cove, Cornwall, where Tony and Mary Peers discover a German u-boat and some men who are up to no good!  We learn that Carstairs' bowler-hatted "Siamese servant" is called Mr. San, which could be translated from the Japanese as "Mr. Mr." - but kids were not so sophisticated back then and are likely not to have noticed this slight discrepancy!


 In the third row (above) we see Bellamy beginning to stretch himself and show something different.

I'm not suprised this is the page often reproduced as the villain looms large in intimidating the boy, especially with those thick lenses in his spectacles.

The second row here shows a telephone conversation - the pictures angled to add emphasising the device

2) The Mystery of the Musical Box has Sally Rogers and her twin cousins David & John visiting their Aunt Sophie's eponymous antique shop in Waterberry. But the story also involves an actual musical box too as the group solve the mystery of a missing painting

In this interesting page we see Bellamy's competent handling of architecture, internal and external. I wouldn't be surprised if the two buildings shown are somewhere around Kettering, his home town, - ask me sometime about the pub in Bellamy's Garth strip. I love the angles in this page too.

The middle panel here showing the car driving through a town, may not be perfect perspective but the houses look so interesting with a castle behind



I've blown up the panel that I love, with the description "beneath the starry sky that night..." we see the light of the moon shining in by virtue of the stark shadows and again detailing that makes the image so impressive.
3) The Mystery of the Black Pearls is the first story where Bellamy condenses the title to one panel (not the whole row as previously) in order to make room for the cartoon strip "Prinny" below. Joe is the orphaned nephew of Mr & Mrs Muggins (!) who own "The Shifted Anchor" pub. Joe, and a friend he makes, called Ann, help Carstairs solve the mystery.

Notice the third row and second panel above, where Bellamy, not uniquely, abandons the formal frame.In the example below he extends the last two panels across the usually 3 or 4 framed rows

Mickey Mouse Weekly 1954 February 13, p4

4) The Men from the East is unusual as it has a very grown-up theme, a missing British offical in Tibet and no children take part! I found the art to be rushed and not very exciting as it's set in Tibet there are lots of mountainous rocky outcrops which Bellamy was so adept at drawing but don't make for a great story. I think his mind was elsewhere at this point.

Strangely on 10 September 1954 the final story illustrated by Bellamy began its appearance in The Sydney Morning Herald and one part is available from the Sunday 26 December 1954 edition thanks to the excellent TROVE website. Can any of my Antipodean friends tell me more?